Blogging When There’s Nothing to Blog About

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1. The Most Mundane and Inane Blog Post In Blogging History

…So what I’m trying to say is that I admire those writers who manage to turn out engaging and informative daily, weekly, or monthly blogs. I either visit their websites or subscribe to their newsletters. Here’s a sampling from my list:

Atlas Obscura •CrimeReads •Lawrence C. ConnollyLiterary Hub •The Marginalian •McGill Office for Science & Society National Geographic •Numlock News •Popular Information •The Reveal •SF MagazinesStuart Nulman’s GrapevineThe Stuph File (an audio blog) Spectre Library WTF Just Happened Today? William Shunn’s Main Wish Null

Credit: Arindam Raha

And then there’s me. I blog on occasion and, more often than not, I’m groping for content. If I’ve got publishing news, an anecdote, or a book review I think you might appreciate, sure, that’s one thing. But when nothing much is going on, like now, I blog for the sake of blogging. The aim is to drive traffic to my website, of course, and thereby promote my writing, further inflate my ego, and encourage you to invest big bucks in whatever I’m currently flogging. (On sale now!: HOLLYWOOD NORTH: A NOVEL IN SIX REELS. On sale Autumn 2023!: THE SERIAL KILLER’S SON TAKES A WIFE.)

The way it’s been going lately, however, it might be a good idea to change my domain name to yawn.ca. The contents that follow will prove my point, except for the bonus item, which is a legit review of a mighty fine book. Otherwise, proceed with caution and a comfy pillow.

Table of Contents or A Cure for Chronic Insomnia

2. Sad Fate of a Cherished Drinking Companion

3. Modern Sinks Stink: A Call to Action

4. Random Sentences for Fiction Writers! Absolutely FREE!

5. TMI Alert! One More Thing You Never Wanted to Know About Me

Bonus Book Review: Stealing God and Other Stories by Bruce McAllister


2. Sad Fate of a Cherished Drinking Companion

Be sure to have a box of tissues handy…

Back in the 80s, I’d fill up the ol’ Nissan Sentra wagon at the Shell station on the corner of our street. The station earned my loyalty not because I passed it daily, but because the operator rewarded me with a free drinking glass with every 20-litre purchase. This kind gesture enabled me to assemble a world-class collection of drinking glasses or, as we aficionados call them, Beverage Assistant Vessels (BAVs).

Empty Glass, Broken Heart

I cherished these glasses and drank from them daily. Butterbeer. Vitameatavegamin. Pinot Grand Fenwick. Pan-Galactic Gargle Blaster. Bourbon. Milk of Magnesia. You name it! Yes, these freebies even accommodated water and juice. There was just something about the decagon design that complemented the horizontal pursing of my lips. The straight edge felt right, reducing both my dribbling and slurping, according to a well informed source named Patricia. Alas, over time, due to the evident carelessness of everyone in the family but I, my once formidable array of glassware dwindled from ten to a pitiful two. But even this was to be short-lived.

Tragic End, Heroic Rescue

Sadly, as of 8:23 a.m., November 7, 2022, one of my two remaining 10-sided glasses of Shell’s “Glass Giveaway” developed a hairline fracture of the anterior exterior posterior, between decagon plates 3 and 4, thus rendering the vessel nonoperational. I must now report only a single, functional, decagonal glass survives intact.

To add insult to injury, my wife, Pat, then proceeded to toss my fractured drinking companion into the recycling bin. Acting on instinct, I courageously dove to the rescue. Following my neighbors’ extraordinary efforts to extricate me from the bin, with zero help from Pat, I emerged victorious with glass aloft. My dear drinking companion was not only saved, it now occupies a place of honor upon my desk, adjacent to my lamp and rotary dial landline.

On a side note, with posterity in mind, the Smithsonian refused my offer to donate the glass. I have not yet heard back from the Canadian Museum of Civilization, though I remain optimistic.


3. Modern Sinks Stink: A Call to Action!

Over the past few years, we’ve had to replace a couple of the sinks in our house. As it so happens, each of the new sinks has a flat bottom, which is the dumbest development in sink technology since sinks were invented circa 1820. The newfangled things don’t drain, damn it.

Take the bathroom sink. I brush my teeth and the tidbits just sit there, resistant to faucet, gravity, centripetal force, and anything else you’d expect to facilitate the draining process. The only solution is to swish the guck with a finger and steer it to the drain.

Feh as in Feh-feh

The situation is even more egregious in the kitchen, where an errant grain of rice can escape detection (eluding draining or collection) for months. Allow the crud to sit too long and not even a jackhammer can dislodge it.

Look, I understand and appreciate this is a First World Problem, a symptom of jaded privilege, especially when one considers a third of the world’s population does not have access to clean drinking water. In the scheme of things, my complaint is hardly cause for a major uprising against sink manufacturers and interior decorators. But what about a minor uprising? Together, we can put an end to flat sinks forever. My torch is lit! How about yours?


4. Opening Sentences for Fiction Writers! Absolutely Free!

I spent several years with Montreal advertising agencies, first as a writer, then creative director. The hours were often long and the pressure unsparing. The creative team could work two or three months straight, putting in twelve to sixteen hour days, and then, abruptly, the rush would end and we’d have nothing to do. Some played chess. Some read. Some napped. But not me. I filled the hours by writing random sentences. Pages and pages. Reams and reams. Thousands and thousands.

To this day, these sentences remain the gifts that keep on giving. I dig them out repeatedly and several have turned up in my published work. Now, for the first time anywhere, it is my pleasure to share with you a smattering of these as yet unrealized gems, twelve scintillating sentences to embrace and exploit on your way to literary fame and fortune.

Your Quest for a Nobel, Giller, Booker, Hugo, Nebula, Stoker, or Edgar Begins Here:
  1. Miss Bernstein frowned as Albert removed his shredded forefinger from the pencil sharpener.
  2. Despite the skeptics, Kubicek saw a bright future in swanback riding, as long as he could breed the swans large enough, of course.
  3. The terrified waiter pleaded with Bergen to crack open the fortune cookie.
  4. Amnesia can be a memorable experience.
  5. You don’t measure guts with a dipstick.
  6. His first mistake was attempting to put a leash on the forty pound rat.
  7. And so it was, disguised as mattresses and tatamis, the Cwaakk commenced their invasion of Earth.
  8. Elise thought of herself as the glue that held broken men together.
  9. Anyone who had ever spent time sitting on Eddie Mancini’s face knew better than to tell him he had an uncomfortable nose.
  10. Miniature shovels to scoop the sleep from peoples’ eyes was the invention that first brought Hiram Attis to the attention of the Patents Commissioner.
  11. Although Laird’s slobbery kiss tasted of a Hall’s Mentho-Lyptus cough drop, Deidre set aside her disgust as her fiancé’s saliva helped ease her sore throat.
  12. It was only after she tore up my manuscript and threw the resultant confetti at my face that I thought to ask, “So you didn’t like my novel?”

Eager for success? Desperate to become a New York Times Best-Selling Author? You have my blessing to use any of these masterful sentences in your own creative endeavors. Yes, I’m giving them away for free. FREE! All I ask is that you give Michael Libling a shout-out when you go to accept your Nobel, Booker, Nebula, Stoker, or similar award.


5. TMI Alert! One More Thing You Never Wanted to Know About Me

Be sure to have a barf bag or bucket handy…

An antique wooden chest with prominent lock.

As the woeful tale of my ill-fated Shell station glass has revealed, I have a hard time disposing of stuff. For the most part, my wife and daughters have been pretty good about it, EXCEPT for one rarely mentioned keepsake. Indeed, it is a long-held family secret, and I hesitate to imagine what you’ll think of me after I reveal it. Well, okay—<deep breath>—here goes…

In the 70s, I injured my big toe playing hockey, the trauma stemming from a vicious and illegal body check into the boards, exacerbated by hand-me-down skates. The nail turned black and eventually fell off. It was big, beefy-thick, and shiny, and I couldn’t bear to throw it out. It was a part of me, after all. Would you throw out a finger? An ear? How is a big toenail any different?

It’s Alive! It’s Alive!

For years, the nail has resided under lock and key in a big wooden chest in a far-flung corner of our home. The last time the nail saw the light of day was when my children were young and I would gross them out by chasing them around the house with it. Now, as the holidays draw near, I’m wondering if my sons-in-law and grandkids wouldn’t also enjoy being chased around the house with what is now, quite clearly, a beloved family heirloom. After all, if this doesn’t sound like a swell holiday activity…

Awkward Epilogue: Sooner or later, my wife is going to expose the lie, so I had better come clean. It wasn’t a hockey injury, exactly. In truth, I injured the toe playing badminton—albeit Extreme Badminton!—and, yes, a birdie was involved. Sorry. I sorta thought claiming a hockey injury would give me that macho vibe, like Ernie Hemingway or Ian Fleming.


Bonus Book Review: Stealing God and Other Stories by Bruce McAllister

This review was originally posted on Goodreads, but I figured I’d post it here, as well, since I don’t feel this collection has attracted the attention it deserves. Unlike this blog, McAllister will not put you to sleep.

STEALING GOD AND OTHER STORIES by Bruce McAllister is among the best single-author collections of short fiction I’ve read in years. You don’t just read these stories, you feel them.

Usually, in reviewing a collection, I’d select a few favorites and the reasons behind my choices. While I set out to do the same here, I quickly bogged down: I found myself covering pretty much the entire Table of Contents in my notes. Some collections start strong and sag a bit in the middle, before carrying the reader to a memorable finish. In McAllister’s case, there is no saggy middle. He delivers from the get-go, with prose and concepts so consistently powerful and haunting, there is no letup. Indeed, you might well feel the need to sit back and take a deep breath as you reflect on the tale you’ve just read, while anticipating the unknown wonders to come. And trust me on this, there are wonders galore.

“These stories burrow under your skin and nestle into your psyche…”

You might not have had the same life experiences as McAllister and the characters he so vividly portrays, but I cannot imagine any reader coming away from this collection without experiencing a deep sense of affinity. These stories burrow under your skin and nestle into your psyche. Yet even at his most terrifying, McAllister manages to touch and move the reader, a feat that can only be attributed to extraordinary skill, innate talent and, I suspect, a healthy strain of divine mysticism that surely courses through his veins.

Prior to this collection, I’d read a handful of these stories in magazines such as Fantasy & Science Fiction and Asimov’s. But to reacquaint myself with them now, alongside the ones I hadn’t previously read, is too appreciate them in a whole new light. While each story stands on its own, it is the collective impact that will bowl you over.

“…imparting a sense of longing for a time and place you can’t quite identify…”

In his introduction to STEALING GOD, the supremely pithy and prolific Paul Di Filippo writes, “What a rich tapestry of terrifying, traumatic, tender, and tantalizing tales!” To these I add a few more descriptors: insightful, true, creepy, yearning, sensitive, poetic, atmospheric, and richly rewarding. McAllister never fails to make the reader feel, imparting a sense of longing for a time and place you can’t quite identify, but so desperately want to return to.

Literary. Genre. Fantasy. Horror. Magical realism. Memoir. Spiritual. You can pigeonhole McAllister’s fiction any way you like, but in the end his work defies categorization.

Yeah, I know I’m gushing here, but if you’ve read Bruce McCallister’s novels, especially THE VILLAGE SANG TO THE SEA, you know where I’m coming from in my praise for this collection. Odds are, you’ll note the seeds (and fruits) of that remarkable novel within many of these tales, making STEALING GOD AND OTHER STORIES the perfect companion piece to that longer work.

It is a cliché to say, but if there is such a thing as a writer’s writer, the author’s name is Bruce McAllister. Readers will be captivated. Writers, aspiring and established, will be inspired.


Outta Here!: I have several works-in-progress—short stories and novels—and each needs an ending, so this will be my final blog for a bit, unless I’ve got news to share. Until then, take care of yourself and, in particular, the big toenail on your right foot. (Avoid badminton at all costs!)  Meanwhile, enjoy the holidays no matter what you may or may not celebrate. Rest assured, come New Year’s Eve, I’ll be lifting a Beverage Assistant Vessel in your honor for having put up with my nonsense. 

See you in…holy cow!…2023? No way.

A 3-Way, a Bloating Problem, a Trout, and Everyone Who Ever Lived

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1. Someone Was Crazy Enough to Interview Me Again

Sooner or later, I’m going to be interviewed and say something that offends someone, if not everyone. Chances are, I’ve already succeeded, though no one appears to have cared, which might well be the one advantage of being Michael Libling and not Stephen King or J.K. Rowling. But if there was ever a cause for concern, this recent three-part interview is probably it.

Conducted by writer/editor Gillian Pollack of Treehouse Writers in August 2022, the interview is a three-way of sorts, featuring me, along with prolific authors Amy Sterling Casil and Ron Collins. My advice is that you read Amy and Ron’s contributions and fake it when you come to mine. Of course, should you disregard this advice and come across any statement by me that raises an eyebrow (or other notable body part), please do not hesitate to keep it strictly to yourself. Nope. I don’t wanna know from nuttin’.

Nothing better to do? Click here for Interview Part One.

Feeling foolhardy? Click here for Interview Part Two.

Too late to turn back? Click here for Interview Part Three. (At the very least, you might enjoy my reading recommendations featured in this final section.)

Meanwhile, speaking of trilogies…


2. Worlds without End

Back in 2015, I attended the World Fantasy Convention in Saratoga Springs, NY.  At one point, I got to chatting with an author who had just released his tenth book in a popular fantasy series—a series with no end in sight. After much back and forth, I summoned the courage to ask, “Aren’t you bored after all this time, writing about the same characters in the same world?” He paused, his smile thin as he mulled his response, and on the tail of a long sigh, he quietly said, “Oh, God, yes. You have no idea.” His words have often come to mind ever since.

That Bloated Feeling

I grew up reading The Hardy Boys, Dale of the Mounted, and The Secret Seven, books with recurring characters and occasional references to previous installments. Each novel was self-contained, without any need to read them in chronological order. I knew in advance that when I reached the final page, the story would be wrapped up. THE END meant THE END. You know, like picking up a Jack Reacher, Hercule Poirot, James Bond, or Inspector Gamache. Same cast, different story, solid ending! But what I’m talking about here are the open-ended series, where each volume must be read in sequence and concludes with a cliffhanger or, more correctly, a non-ending. The promise is that sometime in the future, a concluding volume will tie up the loose ends. How many volumes? How far into the future? In many cases, I’m not sure either the author or the publisher knows for certain.  

A Pandemic of Bloating

Thus I wonder how many writers feel trapped by the book series they’ve created, obliged to carry on with a mission that’s become more chore than joy. How do they cope with a series that runs either to Armageddon or the author’s natural death, whichever comes first? Clearly, money and fandom talk, and I surely would not dismiss either were I in such a fortunate position. At the same time, I sympathize with readers who have committed themselves to a series only to find no end in sight. I suspect “Get on with it, damn it!” has been shouted at more than a few books, no matter the series. Being a literary completist demands dedication.

For Your Reading Pleasure: Every Human Who Ever Lived

My first serious foray into the field was Philip Jose Farmers RIVERWORLD series, beginning in the 70s and continuing into the 80s. The concept was irresistible. As Amazon describes it: “Imagine that every human who ever lived, from the earliest Neanderthals to the present, is resurrected after death on the banks of an astonishing and seemingly endless river on an unknown world. They are miraculously provided with food, but with not a clue to the possible meaning of this strange afterlife. And so billions of people from history, and before, must start living again.”

TO YOUR SCATTERED BODIES GO (Riverworld #1) remains among my favorite books. A richly deserved winner of the 1972 Hugo Award. I continue to recommend it. BODIES is an intriguing read and, for writers, an educational one, if only to see how Farmer establishes his concept. My problem was, the deeper I got into the series, the more frustrating it became. While provocative and entertaining, a definitive THE END was nowhere to be found. The tease was constant. I had the feeling Farmer wasn’t sure where to take his ever-expanding tale. I gave up on the series after THE MAGIC LABYRINTH, the fourth installment. I no longer cared whether or not there was an ending. I felt I was being played. I’ve been wary of open-ended series ever since.

Fortunately, some trilogies really are trilogies and some potentially open-ended series really do have endings. While each of the following is vastly different in genre, plot, style, and execution, I guarantee none will leave you hanging…

Three Authors Who Know How to End It

Ben Winter’s LAST POLICEMAN Trilogy is an engrossing read, a rare and clever blend of mystery and apocalyptic fiction, highlighted by Book #3 and its memorably unambiguous ending.

I was also impressed by the first two books in Matt Kressels WORLDMENDER Trilogy, and am confident Kressel will maintain the same high level of skill and entertainment in the concluding PRINCESS OF ASHES, coming soon. As the Shelf-Awareness reviewer put it, “[A] fascinating first novel…King of Shards is the first entry of the Worldmender Trilogy, and its use of Hebrew culture and legend to build a complex, dynamic setting serves to imbue every page with an epic mythos.”

Should techno-thrillers in the Tom Clancy or Michael Crichton vein be your preference, you won’t go wrong with Canadian author Timothy S. Johnston’s multi-award-winning RISE OF OCEANIA series, a deftly structured hybrid of the standalone and the to-be-continued. (Keep reading. My full review of Johnston’s fifth book in the six-part OCEANIA series lurks below.)

That Bloated Feeling isn’t Exclusive to Books

Bloating is also an issue for TV, of course, where streaming demands content on top of content on top of content. Concepts that used to deliver a good two-hour movie are now stretched beyond reasonable limits, broken into six, eight, or thirteen series episodes, padded with fat, chaff, and Kate Bush classics. In effect, streaming has ballooned your one-time two-hour movie to thirteen freaking hours. And just when you think it can’t get any more tedious, that once “limited series” has been renewed for another season or two or five. At this rate, two-hour movie concepts will soon require a lifetime viewing commitment. Yup, one show for ever and ever and ever.

Hmm…now that I think abut it, maybe I should write a series. Hmm…hmm…. THE SERIAL KILLER’S SON TAKES A WIFE (coming fromAutumn 2023, WordFire Press) just might be an ideal starter. Hmm…hmm…hmm… what if…

Afterthought: Philip Jose Farmer, Kurt Vonnegut, and Kilgore Trout

Despite the above, the somewhat subversive Farmer remains a favorite author, especially for his connection to another favorite, Kurt Vonnegut. If you’re a Vonnegut fan, the name Kilgore Trout will be be familiar. Trout is the science fiction writer created by Vonnegut, and a character who appears in several of his novels. In 1975, VENUS ON THE HALF-SHELL was published in paperback, garnering much attention because of the author who was credited for having written it: Kilgore Trout! Yup, Vonnegut’s fictional SF writer.  

While many believed Vonnegut to be the author, it was, in fact, Philip Jose Farmer. It’s a funny book as I recall, with my favorite line being: “Never stand downwind of an Earthman or a Shrook” or something to this effect. Should I ever manage to dig out my copy of VENUS, I’ll quote the line exactly. Meanwhile, check out this obituary and this tribute to Farmer that appeared in The Guardian at the time of his 2009 passing.


3. Book review: THE SHADOW OF WAR by Timothy S. Johnston

With respect to full disclosure, I know Timothy S. Johnston personally. We met in the fall of 2019 at London Ontario’s ComicCon, each of us at the booth of our publisher at the time, ChiZine Publications. Although we are drastically different writers in terms of storytelling and subject matter, we hit it off and have remained in touch ever since. The more I’ve read his work, the more I’ve come to appreciate his skills and discipline. Indeed, much like the characters in his “Rise of Oceania” series, Johnston is laser-focused on his mission: to create no-nonsense, action-packed, science fiction thrillers that up the ante with every turn of the page. With THE SHADOW OF WAR, the fifth and penultimate entry in the Oceania canon, Johnston delivers the goods yet again.

The Twenty-Second Century is All Wet

The series is set in the early years of the twenty-second century, when the full impact of climate change has arrived and Earth’s waters have risen to catastrophic levels. Within this scenario, undersea colonies have emerged, providing both hope for the future and crucial resources for the terrestrial population. Alas, these same colonies are suppressed and exploited by their land-based, military-minded overseers. In keeping with this planet’s sorry history and the innate nature of humankind, war and rebellion continue to dominate. Finding an edge against the enemy is a never-ending pursuit, a reality Truman McClusky and his team of freedom fighters from the Trieste colony know all too well.

Johnston Does More than Entertain, He Illuminates

As usual, Johnston doesn’t mess around. His opening is as audacious as it is horrifying, establishing page after page of cinematic thrills and derring-do his many fans have come to count on. In the past, his novels have brought to mind Tom Clancy, Ian Fleming, and James A. Corey (THE EXPANSE). This time, it is Andy Weir and THE MARTIAN. Johnston does more than entertain, he illuminates, with scientific, technological, and historical research woven seamlessly throughout. Indeed, Johnston so cleverly incorporates facts, data, and developments, you barely realize there is an educational component. It all goes down so easily.

Among the topics THE SHADOW OF WAR touches upon are laser weapon technology, neutral particle beams, kelp forests, tectonics, and even the xenophobic movement led by UK politician John Tyndall in the 1990s. Those familiar with Johnston’s work will not be surprised by any of this. Another element, however, might catch some readers off guard.

Bodies Here, Bodies There, Bodies Bodies Everywhere

The body count throughout the Oceania series is high, ranging into the upper thousands. Readers of techno-thrillers and fans of action movies, John Wick and Marvel included, take human loss in their stride. Victims are fodder. Here, Johnston departs from expectations, forcing his protagonist, McClusky, to confront the human toll his quest for Trieste independence has cost and how many more must fall before his rebellion succeeds. It is a welcome evolution of the McClusky character and the hero trope. The introspection (and guilt?) also sets up the final book in the series, A BLANKET OF STEEL. Should McClusky’s dream of independence be realized, what will the ultimate price be? True victory or a pyrrhic victory?

Action scenes are Johnston’s greatest strength. It’s a large part of what makes reading his work so entertaining. Time and again, he puts his characters into heart-pounding, life-or-death situations with no evident means of escape. And time and again he finds a way, without resorting to deus ex machina. And this brings me to Johnston’s other strength: The total lack of pretension.

His novels do not pretend to be anything other than what they are—thrilling, science fiction adventures that propel the reader from first page to last. As I said at the outset, his goal is to tell a good story—period! With THE SHADOW OF WAR, his eighth published novel, Timothy S. Johnston maintains both his objective and justly growing reputation.


4. Coming Soon: The Most Mundane Blog in Blogging History, Featuring…

• Brilliant Opening Sentences for Short Stories, Novels, and More! Absolutely Free!

• The Sad Fate of a Cherished Drinking Companion I Picked Up at a Local Gas Station

• Why I Have Come to Hate Sinks (Yes, sinks—those things in your kitchen and bathroom))

• Blogs and Bloggers that Easily Put Me to Shame

• Something About Me You Will Wish I Never Told You

…In other words, I’m not offering much for you to look forward to. Till then, see you on Facebook or Instagram or LinkedIn or (ugh!) Twitter.